
Performance Re-enactment Society (PRS), Arnolfini, 2008

Leaves from the First, Second, Third and Fourth Folios of Shakespeare’s plays, 1623-1685

Look Back in Anger set model, designed by Alan Tagg, Bristol Old Vic 1957

Anne Seagrave, by Manuel Vason, 2005

Beyond the Fringe, by Derek Balmer, 1946

The Bristol Hippodrome by Paule Vézelay, 1918

Ira Aldridge as Aaron, C19, daguerreotype by Paine of Islington

Sample from the Kevin Elyot archive

Harpy Mask, The Tempest, Shakespeare at the Tobacco Factory, 2010

Bodies in Flight, ‘Double Happiness’, a collaboration with Spell #7, 2000

Fabric samples from Julia Trevelyan Oman, for The Merchant of Venice, 1970

Hoefnagel map of London, c.1572

Set design for Twelfth Night by Osborne Robinson, 1933

Recruitment advert for No Boundaries theatre company, c.1980s

Nativity of the Beasts, Welfare State International, 2001

A Bitter Herb, Bristol Old Vic, 1987, photo by Allen Daniels

National Review of Live Art Poster, 1984

Design for Sleeping Beauty by Oliver Messel, [1946]

Plan for the Globe, William Poel, 1897

Playbill for Theatre Royal, Bristol, 1836
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Plan for proposed alterations to the Theatre Royal Bristol, 1901

Paul Robeson as Othello, Royal Shakepeare Company, 1959

Gloves worn by Lawrence Olivier in The Entertainer, 1957

‘Toast’ – publicity created by Julie Flowers and Rosalind Howell for their performance Grill, at the National Review of Live Art, 1994

Vivien Leigh by John Vickers, 1940s